In order to start things off with a bang (and somewhat explain the name of the club) To start lets rewind the clock a week and take a look back at the Marvel’s big event which started last week Siege #1

Review Siege #1

Even if he may not admit to previous errors; with two big events under his belt (House of M and Secret Invasion), Brian Michael Bendis is beginning to learn how to handle big events better. By now, anyone who has been reading Marvel comics for the past couple months is aware of Siege, their latest “small” big event. The fact that this is a short, four-issue mini-series is where Bendis’ experience and criticism first shows. In comparison to past events such as Civil War or Secret Invasion (which produced over one hundred tie-ins), it probably is small. Drawn by Oliver Coipel (who worked with Bendis on House of M), this makes for fast paced, high-octane first issue.

Marvel has dubbed Siege an event “seven years in the making”. As a result of all the recent big events, it probably is fair to say this is true. However does this mean that there is seven years of depth and back-story here? Or is this just another Avengers story? Probably both. Despite the simplicity of the story, with Siege, Bendis has promised to bring an end to the current Dark Reign story line, which began with the end of Secret Invasion and has been a central focus of the Marvel Universe for over a year now. In order to do this it is telling the relatively straight forward story of Norman Osborn’s siege of Asgard; as well as the inevitable destruction of his Cabal (a secret cult of evil masterminds such as Doctor Doom) which has already begun fall apart from within. Another thing Bendis has promised is to bring the Avengers’ “holly trinity” of Cap, Iron Man and Thor back together. So I think it’s fair to say that although some fans may look at this as just another Avengers book, there is a lot it has to live up to. Luckily, Bendis delivers in most all areas.

Anyone who has been reading Bendis’ work on New or Dark Avengers lately should know what to expect. Bendis intentionally gives the book an opening almost identical to the one in Civil War, in order to recreate an “incident”. The opening event occurs with a brief scrimmage between Volstagg and the U-Foes. This was my first real exposure to the U-Foes and although they don’t have any dialogue I was amazed at how well Bendis was able to use them as foot soldiers (despit the dorky name). They operate similar to the Wreaking Crew and when drawn by Copile look a-lot cooler. The unseen masterminds behind this occurrence are key figures Norman Osborn and Loki. After a year of writing Norman in New and Dark Avengers Bendis has a pretty good idea on the way the character thinks. Though he may not have as good a hold on the God of Mischief yet, there is still good interaction between the two characters. From there Bendis brings in the Dark Avengers cast, only a couple of whom get decent time on page. Then, after a few pages of debriefing brings the characters to Asgard (currently hovering above Oklahoma). There isn’t a whole lot of dialogue within the city, or throughout the second half of the book. The characters storm the city and other characters, such as Thor and Balder react. However, the layout and pacing of the action sequences Bendis has scripted manage to speak for themselves.

Part of the reason the battles in this book work so well are do to the art of Oliver Coipel’s artwork. Anyone who read Straczynski run on Thor shouldn’t even question his treatment of Asgard and its inhabitants. Probably making him knows Marvel’s most qualified artist to be drawing this book. Unfortunately, the book only has a couple of pages which can fully capture his treatment of the home of the gods. One of these shots is a beautiful two-page spread that serves as a good focal point in the center of the book. However, Coipel is also tasked with drawing the Dark Avengers characters. While most of these characters, such as Ares and the Sentry look great; others like Ms. Marvel (Moonstone) and Hawkeye (Bullseye) look like they received much less attention and as a result look a little cartoonish. This may be part of Coipel’s style, but in a book focused on a war-of-sorts it can throw things off a little. There isn’t a significant amount of improvement since Coiple’s work on House of M. Nevertheless, the city of Asgard stands tall, works as a great backdrop for the action and overshadows these minor flaws.

I know there are a lot of people out there who are tired of Bendis’ work on the Avengers and don’t want to have to cough up another $3.99 a month, just to see what happens next. Especially if it’s just twenty two pages of pows and ka-booms. As for me, looking back, despite a few dips, I have enjoyed the majority of what he’s done as a whole. But, even I would rather read a good book, full of well thought out dialogue than one full of mindless smashing any day. However, I sincerely enjoyed the book due to Bendis and Coiple’s well thought out smashing. Overall Bendis provides a solid, faced paced book that no Avengers fan should miss. Even though there will be a good number of tie-ins (32 to be exact), adding up to a large amount of cash, this event will stay focused on the Avengers and not pan out into every corner of the Marvel Universe. Could this have just been another Avengers book? Sure, but where’s the fun in that? I know Marvel would much rather make a lot more money from people like myself, willing to buy most the tie-ins. However, if the story stays this strong, I’m willing to give it them.